But if his art finally fulfilled his inner striving, his outer life was fraught with anxiety: two uneasy marriages (the second, longer one producing two children), deep quarrels with old friends, a bitter resentment toward emerging younger artists, festering dissatisfactions. In addition, he was concerned about keeping his art from Philistine eyes. “I have a deep sense of responsibility for the life my pictures will lead out in the art world,” he wrote to one museum director, refusing participation in a show.
The concern was famously exhibited in 1958 when he agreed to do a series of murals for the swank new restaurant, The Four Seasons, in the highly acclaimed new Seagram building on Park Avenue. Despite extensive preparatory work, Rothko returned the money advanced him, angrily declaring after viewing the site, “Anyone who will eat that kind of food for those kinds of prices will never look at a picture of mine.”--GG (LARB)
When depression becomes a dangerous time.
TS
The concern was famously exhibited in 1958 when he agreed to do a series of murals for the swank new restaurant, The Four Seasons, in the highly acclaimed new Seagram building on Park Avenue. Despite extensive preparatory work, Rothko returned the money advanced him, angrily declaring after viewing the site, “Anyone who will eat that kind of food for those kinds of prices will never look at a picture of mine.”--GG (LARB)
When depression becomes a dangerous time.
TS
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