Ornette Coleman, the composer and multi-instrumentalist, died on June 11th in Manhattan. He was 85. Though health challenges in recent years had been a constant struggle, Coleman’s relevance as a visionary artist kept him at the helm of the “Change of the Century”; this jazz revolution began some 60 years ago but lives far beyond his mortal years.
The challenge Ornette posed to listeners, to musicians and to the public in a period of anxious social upheaval matched the tenor of the times. With roots in Texas blues and then years spent on the road before endeavoring deeply in the Los Angeles jazz scene, Ornette’s concepts were stirring, indeed, radical on every level. His vision of a liberated melody, harmony and rhythm, aka Harmolodics, reflected the abstract expressionist movement in visual art and yet held such a visceral connection to the blues, to African American folk forms, that it was anything but abstract. A closer listen revealed the entire spectrum of the Black experience as it pushed outward.
The rest of the story.
TS
The challenge Ornette posed to listeners, to musicians and to the public in a period of anxious social upheaval matched the tenor of the times. With roots in Texas blues and then years spent on the road before endeavoring deeply in the Los Angeles jazz scene, Ornette’s concepts were stirring, indeed, radical on every level. His vision of a liberated melody, harmony and rhythm, aka Harmolodics, reflected the abstract expressionist movement in visual art and yet held such a visceral connection to the blues, to African American folk forms, that it was anything but abstract. A closer listen revealed the entire spectrum of the Black experience as it pushed outward.
The rest of the story.
TS
No comments:
Post a Comment