It was also in 1947 that Berryman began drinking heavily. Curiously, given his later long-term and profound addiction, Berryman wasn’t much of a drinker before the age of 33 (or much of a poet, for that matter). His wife, Eileen, had begun taking evening courses in psychology and wasn’t around nearly as much to look after him. He needed looking after. The drinking escalated quickly into a large problem. He also began taking Dexedrine to get going in the morning and Nembutal to get to sleep at night. He was now travelling regularly to New York to see his psychiatrist, James Shea, in an attempt to stave off his depression. Whether Shea helped him is questionable; what is certain is that Berryman emerged newly fascinated with psychiatry and his own buried psychological issues, especially the suicide of his father just before his 12th birthday, the story of which had been camouflaged by his mother. He also began to read the central texts of Freud, Fechner, Reich and others, which made a tremendous impression on him. Freud and psychoanalysis were to become major themes for Berryman, as they already were for Schwartz, and were about to be for Jarrell and Lowell. By 1953, Lowell was ‘gulping’ Freud and telling one and all that he was a ‘slavish convert’. These poets were, of course, not alone in their fascination. After the Second World War, with veterans returning en masse with psychological trauma, psychoanalysis – both the practice and the language associated with it – permeated the culture and country. Neuroses and mental illness acquired a sort of glamour, making their way into Hollywood, Time magazine and the salon conversation of intellectuals. Schwartz, Lowell, Berryman and Jarrell probably didn’t need the encouragement. Be that as it may, it was off to the races.
What a great pleasure Berryman has always been for me. In my estimation, perhaps America's greatest poet. He cracked up to be sure, something I can relate to. Life, friends, is no picnic.
TS
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