Like all art, rock music is an assertion that defies objective knowledge. In a single performance, a singer, guitarist, or any musician can make you believe in the spontaneous generation of the original rock ‘n’ roll, “regardless,” as Marcus writes, “of any rumors that something vaguely similar might have happened before.” This is what the aesthetic philosopher and art critic Arthur Danto meant when he wrote, in his book After the End of Art, that “there really is, in history, no such thing as having done something before.” (I dare you to disagree after blasting Lauper’s “Money Changes Everything” at high volume.) Marcus argues that context is fundamental to the understanding of history as what happened, what might have happened, and what may yet happen.
TS
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