On Manson and Didion

What is clear for Didion is that the gruesome violence of the Tate-LaBianca tragedy denoted the end point of the decade, the wages of a strange, unhinged time. Her recounting of the era centers upon the Manson slayings as the grim culmination of all that messy campus activism, dissolute rock musicians, black nationalism and strange new communes popping up like dandelions. In Didion’s telling, “no one was surprised” that five people had been slaughtered in Roman Polanski’s Benedict Canyon mansion—a curious note to strike about a crime that continues to shock to this day.--DO

A good read.


TS